PUBLICATIONS

 

Gratch, Lyndsay Michalik and Ariel Gratch. Digital Performance in Everyday Life. London: Routledge, 2022.

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Gratch, Lyndsay Michalik. “Catching my Drift: On the Influence of Paul Edwards.” Liminalities: A Journal of Performance Studies: Special Issue on the Video Essay, 2018. Lead Article.

 

Gratch, Lyndsay Michalik. “Performing Inside the (Sand)Box.” Liminalities: A Journal of Performance Studies: Special Issue on the Video Essay, 2018. (Video Essay) 
 

Gratch, Lyndsay Michalik. “Legal: A Counterhistory of Turning THIRTY.” Liminalities: A Journal of Performance Studies: Special Issue on the Video Essay, 2018. (Video Essay)

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Gratch, Lyndsay Michalik. Co-created with Rosa Avila, Kinsey Denney, K. J. Edwards, Eliza Levinson, Anna Marsden, Jacquelyn Paige Paschal, and Julie Thompson.“tech/trans/fem: feminism is,” Women & Language Online: Special Issue on Nasty Womanifestos: Remixing Feminisms for Social Change, 2018. (Video Essay)

 

Gratch, Lyndsay Michalik. “How I Learned to Swede (and You Can, Too!): In Praise of Amateur Aesthetics,” Text and Performance Quarterly 38.1-2. 2018.

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Gratch, Lyndsay Michalik and Ariel Gratch. “Sweding Dirty Harry.” Text and Performance Quarterly 38.1-2. (Video)

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Gratch, Lyndsay Michalik. “The Irish Hills of Michigan: A Performative Curation,” Departures in Critical Qualitative Research, 7.1, 2018.

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Gratch, Lyndsay Michalik. Adaptation Online: Creating Memes, Sweding Movies, and Other Digital Performances. Lexington Books, 2017.

 

Gratch, Lyndsay Michalik. “a hole in the light,” Liminalities: A Journal of Performance Studies 12.1, Special Issue on Cartographies. (2016)

 

Gratch, Lyndsay Michalik, John LeBret, Ariel Gratch, Bonny McDonald, Eddie Gamboa. “Scotch & Soda,” Text and Performance Quarterly 35.4. (2015)
 

Michalik, Lyndsay. “Stretching the Code: Sexual Performances and Online Gaming Economies,” Liminalities: A Journal of Performance Studies 11.1, Special Issue on Performance, Digital Media and Sexuality. (2015)

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Michalik, Lyndsay. “How Antoine Dodson and the Bed Intruder Keep Climbin' in Our Windows: Viral Video Appropriation as Performance,” Liminalities: A Journal of Performance Studies 10.3/4. (2014)
 

Michalik, Lyndsay. “Haunting Fragments: Digital Mourning and Intermedia Performance,” Theatre Annual 66. (2013)